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The most iconic figure is the Huaso , a countryman and skilled horseman, similar to the American cowboy, Mexican charro or the gaucho of Argentina.
In Central Chile , the cueca and tonada dances and songs are the most characteristic styles. Among the other dances and music that are part of central Chilean folklore are the "Sajuriana", originally from Argentina, "the Refalosa" introduced from the north, and the "Vals", inherited from Europe and very popular during the first half of the nineteenth century among the upper classes.
The cueca short for zamacueca has long been considered the "most traditional music and dance of Chile". Since September 18, , cueca has been affirmed as the official national dance.
The structure looks like this: . According to Pedro Humberto Allende , a Chilean composer, "neither the words nor the music obey any fixed rules; various motives are freely intermingled.
In the central regions, the cueca has lyrics and the instruments most commonly used to perform it are the guitar, tambourine, accordion and bombo.
The verses of the seguidilla are repeated and there is a greater emphasis placed on the interpretation of the lyrics by the singer rather than on the music or the dance.
Cueca brava urban cueca is a variation of the cueca that originated in the s in the rougher neighbourhoods of cities, where it was sung and danced in places like bars and brothels.
The Tonada is another important form of Chilean traditional song, arising from the music brought by Spanish settlers.
It is not danced and is distinguished from the cueca by an intermediate melodic section and a more prominent melody in general. Several groups have taken the tonada as their main form of expression, such as Los Huasos Quincheros , Los Huasos de Algarrobal , Los de Ramon and others.
The modern rural tonada is typically simple and "monotonous", as described by Raquel Barros y Manuel Dannemann. The challenging landscape, the persisting population of Huilliche people , and the Spanish heritage which did not fade as much as elsewhere in the country, has given southern Chilean music some particular characteristics.
The main feature of Chilote music is its vitality, a quality that is apparent in dances of agile and lively pace  A good part of the colonization of southernmost Chile carried out by Chilotes the people of Chiloe , so their culture spread with them through southern Chile, including their music and dances.
On the other hand, the German migrants that came to the provinces of Valdivia , Osorno and Llanquihue brought with them some of their customs and instruments, the most influential being the accordion, which quickly integrated into the existing music.
Typical music and dances include:. One of the most popular dances among Chilotes, this is danced by two loose couples, handkerchiefs in hands.
It is a festive and competitive dance where the couples loosely dance around a bottle that has the function of a totem. The couple that knocks the bottle loses and has to leave the dance floor.
It is an easy dance to perform and can be adapted as rhythmic play for young children. The movements follow the instructions in the song lyrics.
The song starts with a guitar playing solo and the couples taking part move around while the guitar plays.
Suddenly the guitar stops and the dancers stop with it. This happens three times and then a cueca is played and danced, but the choreography allows the couples to exchange partners.
After several exchanges the couples end with the same partner with which they started. The music of El Pavo is very similar to the cueca, though it lacks the concluding couplet, and its structure is based on an octosyllabic quatrain and rollovers.
In the Chilote waltz, the man and woman dance in hold and the main difference with a normal Waltz is that the pace is more pronounced, resulting in very intense and energetic steps.
The Rebec or Rabel, as it is known is Spanish similar to a small violin. Easter Island folk music has different origins from those of continental Chilean music.
Instead, traditional music from the island consists of choral singing and chanting, similar to Tahitian music and the traditions of other Polynesian cultures.
Families often performed as choirs, competing in an annual concert. They accompanied their chanting with a trumpet made from a conch and a percussive dancer jumping onto a stone which is set over a calabash resonator.
Other instruments used include the kauaha , created from the jaw bone of a horse; the accordion ; and stones, which are clapped together for percussive effect.
The most characteristic dances are:  The "Sau Sau", a dance of Samoan origin that was introduced in the s. The dance emphasizes female grace and sensuality and in the choreography, the couple performs flexible movements of the hips and hands.
The "Ula Ula", a dance of Tahitian origin that is usually performed during local festivities. The couples dance separated undulating their hips laterally.
This rebirth brought rural music and folklore into the cities, on to the radios and caught the attention of a flourishing music industry, which took some of the more refined versions of Chilean "Tonada" and transformed them into a spectacle for the cities.
One of the first groups that can be linked to this style are "Los Huasos de Chincolco",  who started a trend that inspired the public, although their music had little in common with real rural folk music.
During the s and s, this refined version of folkloric music became a national emblem, mainly for its aesthetic and as a spectacle to celebrate patriotism.
One of the characteristics of the folkloric trend is its use of patriotic themes and a romantic, idealized view of rural life.
The foundations of the movement were laid through the efforts of Violeta Parra to revive over 3, Chilean songs, recipes, traditions, proverbs and folkloric characters, like the payadores improviser-singers.
Violeta Parra, and artists like her, acted as a vehicle for a folkloric tradition that otherwise would have remained unknown for many Chileans in the cities.
Rock and roll music was first produced in Chile in the late s by bands that imitated and were inspired by international rock and roll hits from the U.
This movement was known as the Nueva Ola New Wave. Los Jaivas are an example of this fusion between the two convergent styles.
In the s, however, the country's rock scene declined due to political repression  The s saw the beginning of a revival of rock music in Chile which has continued until the modern day, with the growth of many rock subgenres and many Chilean bands finding success on the international market in recent years.
Since the mid to late s, hip hop music have had a considerable influence on the Chilean music scene and culture. People of Chile had their first contact with this genre through the television and radio.
During the s, some bands connected hip hop with other styles like dancehall, reggae, and Latin rhythms. Como Asesinar a Felipes is the first Experimental hip hop band that has achieved a considerable success, being produced by Koolarrow Records.
Her music has appeared in the popular TV series Breaking Bad season 4, episode 5. The electronic music movement as we know it today reached Chile in the s, but there are some earlier milestones worth mentioning, like the sound experiments of engineer and scientist Jose Visencio Asuar in after the visit of physicist Werner Meyer-Eppler , and the production of the first electronically generated music records in the s.
Some were children of political exiles while others moved to Europe to develop their careers and then stayed following their great success.
Later, the Chilean band Sonora Palacios would bring cumbia to mass popularity among the Chilean population.
These have been some of the most popular acts in the last 50 years and still enjoy mainstream popularity, seen as part of Chile's musical culture and identity.
Chilean cumbia added brass instruments, piano and a faster percussion to the original cumbia style. The process of adaptation and evolution created a sub style that can be easily identified from the original.
Cumbia developed this orchestral performance style in the s, adapting from the tropical orchestras that had played rhythms such as the cha-cha-cha , mambo , rumba , bolero , and merengue in the —s.
Some subgenres that were not originally from Chile also became popular in the country: In the s, cumbia sound , known in other countries of Latin America as Technocumbia , is a style of dumbia where there is a fusion between electronic sounds generated by electronic drums, and electric guitar.
Unlike Technocumbia, cumbia romantica arrangements tend to be acoustic. This new Chilean cumbia is highly influenced by rock and some hip hop groups, although in some cases the influence of Andean music, Balkan music Klezmer , Salsa and Bolero can be heard.
The practice of jazz is one of the most popular manifestations of popular music in Chile. The most regular tracks appear towards the s around the figure of the composer, violinist and researcher Pablo Garrido , manager of the first ensembles and local jazz orchestras.
From , a new generation of young musicians aligned themselves with jazz improvisation beyond the predecessor jazz, which they considered commercial, baptizing it hot jazz.
This would result in the founding of the Club de Jazz de Santiago in and the formation of the first national all-stars, The Chilean Aces of Jazz , in and Modern jazz broke into the s at the initiative of the pianist Omar Nahuel , at the head of the Nahuel Jazz Quartet.
The band was not only a pioneer in the development of new jazz forms, such as bebop or cool , but also brought together enthusiastic musicians of the figure of Charlie Parker and his descendants.
In the s, as in the rest of the world, the electric jazz installed a new expressive form and gave rise to new soloists in Chile.
With the creation of the Festival Internacional Providencia Jazz in the year , along with other communal festivals, jazz has achieved greater diffusion for the non-expert public in the 21st century.
Since the beginning of the Chilean republic, the need for highly trained musicians in educational institutions and in the classical music scene was evident.
This process continued until when political repression hit culture and music across the board. The music industry, live performances, the media, and even musical education were affected, with musical education officially suppressed as a mandatory high school subject.
The festival take place between January and February every year, and consists of 40 or more classical concerts performed by both Chilean and international artists.
The construction of a new venue, the Teatro del Lago Lake Theatre which opened in , has given the festival a boost, providing space for more performances and larger audiences.
Their programme reaches more than 12, teens and children every year, and their orchestras perform concerts that reach an audience of almost a million.
One of the best-known performers is pianist Claudio Arrau ,  known for his vast repertoire spanning from baroque to 20th-century composers, especially Beethoven , Schubert , Chopin , Schumann , Liszt and Brahms.
He is widely considered one of the greatest pianists of the twentieth century. From Wikipedia, the free encyclopedia.
Music and musical traditions of Chile. Main article: Atacama people. Main article: Mapuche people.
Main article: Fuegians. Northern Chile music instruments. Central Chilean musical instruments. Southern Chilean musical instruments.
Accordion , introduced by German immigrants. Main article: Chilean rock. Peter Rock. Los Prisioneros. Main article: Chilean Electronic Music.
Jorge Gonzalez, the leader and voice of Los Prisioneros. Main article: New Chilean cumbia. Main article: Mexican music in Chile. This section needs expansion.
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